Article by Rob Mabry
Louis Comfort Tiffany’s love for nature, Islamic architecture, Romanesque and Moorish art and Japanese ceramics was the foundation for the prestigious Tiffany Lamps that the world treasures today. Combining creative vision with bold experimentation in glass making, Tiffany succeeded in creating decor that brought colorful beauty to any home.
During the middle ages, glass artisans created stained glass from clear glass. They would apply special paint to add detail to the glass. Then the glass was placed in a kiln or furnace which caused the paint to fuse to the surface. The fired glass pieces were then united with lead.
Discontent with the methods of old, Tiffany yearned for different hues and dimension. He experimented with glass, and created an effect that copied ancient excavated glass. The iridescent effect of the glass was created by mixing different colors of glass together at high temperatures. He called this glass Fravrile and it was patented in 1894. Fravrile was derived from the word “febrile” meaning “hand-wrought” or handcrafted. Tiffany modified the word because he thought it sounded better, and Fravrile was usually scratched into the glass.
The Tiffany Lamp is identifiable because of the innovative glass work; however, Tiffany’s designs and styles enriched different tastes. He became known as an American pioneer within the Art Nouveau way of life which encompassed architecture, interior design, decorative arts and lighting. Tiffany Lamp styles fit into this predominantly European realm. With flowing flowery patterns, colorful dimensions and copper lamp bases, Tiffany’s style was inspired by organic forms and quickly became a fixture in the living rooms and studies of the elite.
The Tiffany Lamp entitled “Dragonfly” is an example of Art Nouveau, and it is one of the studio’s most successful works. Simply flowing from nature with melding colors and dragonflies that are offset by cabochon pieces, “Dragonfly” was designed by Clara Driscoll a gifted artisan in her own right who worked as a director for Tiffany Studios.
Unfortunately, Tiffany didn’t keep up with the minimalist demands of interior design, and Tiffany Studios declared bankruptcy in 1932. Tiffany died the following year. It wasn’t until the 1940′s that the Tiffany Lamp was brought back into the light and once again gained popularity.
Distinctive and hand-crafted, Tiffany Style Lamps remain prevalent in interior design today. Gracing oak tables with breath-taking beauty, providing exquisite lighting for any room, Louis C. Tiffany still succeeds in being a predominate force of nature in the art world and homes of Americans today.









